This thesis re-examines the framing of the sustainability challenge instead as one of under- standing the relations between humans and nature implied by dominant cultural narratives. Through building a theoretical understanding of how human-nature relationships can be understood and studied, and devising a methodology for examining individual and collective ontologies and epistemologies, it investigates how alternative worldviews and ways of being are imagined and embodied in grassroots innovations. Specifically, it provides an in-depth ethnographic study of the Dark Mountain Project – a network of writers, artists and thinkers who explore cultural narratives that move beyond progress. It shows how en- gaging with the beliefs and assumptions entailed by the dominant Western meta-narrative can open up for new knowledges and actions to address the sustainability challenge.
The thesis suggests that creating sustainable ways of living involves active participation in the way ’sustainability’ is imagined, storied and enacted. Findings indicate that creating spaces for active experimentation with alternate ways of seeing, co-creation of new vocabularies and development of creative practices, is a direct way to enable re-narration and re-experiencing of human-nature relations. It concludes that engaging with transitions in worldviews and ways of being as a transformation in the experience of social life provides a promising starting point for future work on the sustainability challenge.